In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 255-268 [Access article in PDF] The Tree of Knowledge and Darwinian Literary Study Jonathan Gottscha I THE BRANCHES OF KNOWLEDGE are not strewn randomly on the ground; they are part of a coherent, interconnected tree. Physics is the most fundamental of all the sciences, so it is the trunk of the tree. The branch of chemistry emerges from physics, because the laws of chemistry (...) depend on the laws of physics: chemical reactions occur the way they do because of the physical properties of atoms. Biology's branch splits off from chemistry's: the molecules that comprise living things are bound by the rules of chemistry. Scientists, while grasping this fundamental interconnection of the broad boughs of the natural sciences, 1 have rarely craned their necks sufficiently to glimpse the upper reaches of the tree of knowledge: the green canopy of human culture that is the traditional jurisdiction of the social sciences and humanities. In fact, scholars from all disciplines have mostly proceeded as though the greenery above was the outgrowth of a neighboring tree from a fundamentally different species.Since the 1960s, however, a maverick band of Darwinian neck-craners have been demonstrating that the stuff of human culture, studied in the humanities and social sciences, is a contiguous part of the tree of knowledge: human culture and behavior grow out of human biology. 2 These scholars and scientists continue to define themselves by different names depending on subtleties in their particular approaches: Darwinian psychology, sociobiology, Darwinian anthropology, biosociology, human behavioral ecology, human ethology, and evolutionary psychology. 3 However, sacrificing some precision on the alter of clarity, I will refer to all of the above approaches with the umbrella term of human [End Page 255] behavioral biology, understood in its most expansive sense as the study of how millions of years of evolution shaped the human mind, and thus human behavior, and thus human culture. No matter how human behavioral biologists define their work, they all share the conviction that human behavior, psychology, and culture cannot be fully understood separate from human bio-evolutionary history.Darwinian excavation of the foundations of human nature has inspired a revolutionary movement in the social sciences that proceeds to this day. Like most revolutions, this one has seen its share of rolling heads and intellectual bloodshed. Starting with the "sociobiology debates" of the late 1970s through mid-80s and continuing through the "science wars" of the early-mid 1990s allegations and recriminations of the most serious sort have been almost casually poured into the air: racism, sexism, Social Darwinism, biological determinism, disciplinary colonialism, disciplinary xenophobia, and "biophobia." 4 However, despite entrenched, sometimes zealous opposition, evolutionary thinking has firmly established itself in the social sciences. Thumbing through leading social science journals, it is no longer a shock to encounter articles exploring traditional topics with shiny new Darwinian tools. This stands in stark contrast to the situation in the decades immediately following World War II, where applying biology to human behavior and culture was virtually taboo. In fact, the UNESCO statement of 1952 explicitly tabooed human behavioral biology as scientifically and politically incorrect. Moreover, this phenomenon is in marked contrast to the mainstream social science of the late 1970s and early 1980s, which was in the midst of a wicked backlash against the resurgence of biological inquiry into behavior represented in sociobiology.Currently, while human behavioral biology retains many social scientist critics, and while certain social science fields remain largely hostile or indifferent, invoking biology to explain social behavior is moving toward the mainstream. Almost thirty years after E. O. Wilson made, in Sociobiology (1975), his first call for a merger of disciplines under a new biological synthesis, biology-savvy social scientists and social-science-savvy biologists have provided startling new insights into a host of topics traditionally examined in isolation from biology: gender differences, criteria for mate choice, resource acquisition and allocation, aggression, cooperation, xenophobia, ethnocentrism, sexual politics, religious sensibilities, social hierarchy, moral codes, etc. 5Though one must be careful not to overstate the progress, we are [End Page 256] witnessing... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 278-294 [Access article in PDF] Homer's Human Animal: Ritual Combat in the Iliad Jonathan Gottschall I Freud called Darwin's revelation of man's animality a blow to human narcissism on par with Copernicus's finding that Earth is not the center of the solar system. While Darwin hinted at our bestiality in the Origin of Species, in later publications he conveyed the disturbing and fantastic (...) news that our ancestors were, as he playfully wrote in private notebooks, "monkey men." 1 Adam and Eve were not lovingly molded from the clay; they were the rude grandchildren of a "hairy, tailed quadruped, probably arboreal in its habits, and an inhabitant of the Old World." 2 Darwin's news was greeted by his contemporaries with a range of responses, from hooting derision to holy indignation, to resigned acceptance. Yet his hypothesis has been amply verified by the work of geneticists, primatologists, biologists, archaeologists, paleoanthropologists, and others. Nowadays we are not too chagrined to hear that we share a common ancestor with the other apes; it is orthodox evolutionary theory.But perhaps we give Darwin rather too much credit for this discovery. Surely he deserves esteem for deciphering the mechanism of evolution in natural selection, for helping demonstrate our kinship with other primates, and for providing subsequent scientists a head start for their research. He also deserves the less technical distinctions of giving human self-regard a terrific bloody nose and of helping to sire the modern existential crisis. But while Darwin may be responsible for giving scientific credibility to the notion that humans do not stand aloof from the rest of the animal kingdom, he was far from the first to come to this realization. [End Page 278]The artists of every age and the builders of mythology have come, with wondrous unity of conception, to similar conclusions. In fact, the world's earliest known pictorial art conveys this message. The hundreds of paintings and etchings adorning the walls of the Chauvet Cave in France, though over thirty thousand years old, include depictions of human-animal compounds, including a figure that is half-human and half-bison. 3 This ancient suggestion that the human and animal realms overlap is likewise indicated in the common mythological figure of the human-animal hybrid. As Dorothy Dinnerstein says: "Myth images of half-human beasts like the mermaid and the Minotaur express an old, fundamental, very slowly clarifying communal insight: that our species' nature is internally inconsistent; that our continuities with, and our differences from, the earth's other animals are mysterious and profound." 4 So Darwin did not invent the concept of the human animal. Rather, he marshaled the evidence and developed the theoretical model that established scientific credence for an ancient belief.The Ancient Greeks were particularly fascinated by hybrids blending human and animal morphology. Their mythology abounds with queer, conflicted, compound creatures. And so does their literature. Their first and greatest poet, Homer, was characteristically Greek in his attention to half-human creatures. The sirens, the centaurs, the minotaur, the chimera, Scylla, "Ox-eyed" Hera, and "Owl-eyed" Athena are all present or alluded to in his work. All of these figures symbolically insinuate that beasts dwell under every human skin.But Homer's suggestions of human animality do not cease with these compound creatures. In the Iliad, he presses this theme with depictions of warriors who are, physically, fully human. Homer suggests, however, that their dispositions and behavior patterns are, often, fully brutish. For Homer, the human animal is the most incongruous crossbreed of all: he is queer, conflicted, inconsistent, godlike, and brute. It is the "in-betweenness" of the human animal that makes him tragic. His soul would gravitate toward the empyrean, but his body roots him steadfastly in the blood and filth of animal life. The father Zeus, perhaps recognizing this, says: "In truth there is nothing more wretched on earth than man, of all things that breathe and move." 5The Iliad suggests human animality in a variety of ways. First, we are aligned with... (shrink)

Is a given instance of rape more likely to result in pregnancy than a given instance of consensual sex? This paper undertakes a review and critique of the literature on rape-pregnancy. Next, it presents our own estimation, from U.S. government data, of pregnancy rates for reproductive age victims of penile-vaginal rape. Using data on birth control usage from the Statisticalof the United States, we then form an estimate of rapepregnancy rates adjusted for the substantial number of women in our sample (...) who would likely have been protected by oral contraception or an IUD. Our analysis suggests that per-incident rape-pregnancy rates exceed per-incident consensual pregnancy rates by a sizable margin, even before adjusting for the use of relevant forms of birth control. Possible explanations for this phenomenon are discussed, as are its implications to ongoing debates over the ultimate causes of rape. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 30.2 (2006) 450-470 MuseSearchJournalsThis JournalContents[Access article in PDF]Romantic Love: A Literary Universal?Jonathan Gottschall Washington and Jefferson College (JG)Marcus Nordlund * Göteborg University (MN)ITo love someone romantically is—at least according to innumerable literary works, much received wisdom, and even a gradually coalescing academic consensus—to experience a strong desire for union with someone who is deemed entirely unique. It is to idealize this person, to think constantly (...) about him or her, and to discover that one's own life priorities have changed dramatically. It is to care deeply for that person's well-being and to feel pain or emptiness when he or she is absent.But is this intense emotional experience a universal experience, something that is characteristically and quintessentially human, or is it merely a sociocultural construct that belongs to a particular time and place? On this point there is less agreement, both within and between different academic disciplines. The audacious question we want to raise in the pages that follow is whether literature—or more specifically, a large-scale, multiple-coder content analysis of thousands of folk tales drawn from different parts of the planet—can contribute something to this difficult question about love, culture, and human nature.Let us first look briefly at the theoretical problem that we aim to address. A widespread view among literary scholars and social scientists over the last decades has been that romantic love is a social construction specific to Western culture. This is part of a relentless skepticism [End Page 450] toward assumptions that important categories of human psychology and emotion—romantic and parental love, gender, sexual orientation, and so on—are "natural" rather than constructed. This position is often, if not always, linked to an ideological concern to demystify (or at least problematize) what is perceived as an essentially destructive or oppressive emotion or belief. Taking her cue from Simone de Beauvoir, Marilyn Friedman gives no less than ten reasons why it may be problematic for women to fall in love with men. 1Of course, no argument of any kind can be strictly ideological in nature since it always involves empirical assumptions—either explicit or implicit—about the nature of things. For example, the psychoanalyst E. S. Persons opines that the "best evidence that romantic love is not hard-wired into the emotional repertoire of humanity but is a cultural construct is the fact that there are so many cultures in which it is virtually absent." 2 Another frequent argument for love's constructedness has been that "there is no definition that describes love throughout the ages or across cultures." 3In some literary-critical accounts, it is even argued that romantic love is a cultural invention that can be traced back with precision to the courtly troubadour culture of twelfth-century France. 4 According to yet another school, represented by the influential literary theorist Jonathan Culler, "the notion of romantic love (and its centrality to the lives of individuals) is arguably a massive literary creation." 5While the social constructivist position on romantic love typically involves a strong commitment to cultural specificity, a weaker version is held even by some cognitive theorists who grant more to biology and panhuman traits. From the perspective of their communicative theory of emotion, Philip Johnson-Laird and Keith Oatley argue that the "components [of romantic love] exist separately in different societies, but their integration into a recognizable complex is a cultural accomplishment [by the West]." 6At the other end of the romantic love continuum we find those who argue that this emotion belongs to a universal human nature: or, more specifically, that it can be attributed to specialised neural circuits whose ultimate purpose is to enhance reproductive success. Not surprisingly, this has been a favorite position among evolutionary psychologists, and it has recently received some support from neuroscientific studies.For example, the neuroscientists Andreas Bartels and Samir Zeki claim to have uncovered a "functionally specialised system" that lights up in fMRI (magnetic resonance) scans of brains whose owners claim to... (shrink)

This paper deals with modality in Peirce's existential graphs, as expressed in his gamma and tinctured systems. We aim at showing that there were two philosophically motivated decisions of Peirce's that, in the end, hindered him from producing a modern, conclusive system of modal logic. Finally, we propose emendations and modifications to Peirce's modal graphical tinctured systems and to their underlying ideas that will produce modern modal systems.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 28.1 (2004) 202-217 [Access article in PDF] Literary Universals and the Sciences of the Mind Jonathan Gottschall St. Lawrence University The Mind and its Stories: Narrative Universals and Human Emotion, by Patrick Hogan; 302 pp. Cambridge: Cambridge University Press, 2003, $65.00. Cognitive Science, Literature, and the Arts: A Guide for Humanists, by Patrick Hogan; 244 pp. New York: Routledge, 2003, $19.95. I Two recent books (...) by Patrick Colm Hogan deserve attention for all they get right and, to a lesser but important extent, for where they go wrong. Hogan is among the most accomplished members of an expanding group of humanistic scholars who are assimilating and putting to use the most promising models of human potential taking shape in the human sciences. By drawing on theory and research in cognitive and brain sciences, evolutionary biology and evolutionary psychology, behavioral genetics, and cross-cultural anthropology, this group is finally beginning to push literary studies beyond defunct tabula rasa and psychoanalytic theories of human potential that have served as the main foundations for the elaboration of literary theory over recent decades.1 Varieties of hard social constructivism and psychoanalysis have continued to dominate thought in the humanities, despite the fact that those theories have lost all credibility in the human sciences.2 Hogan's books provide a preview of the kinds of theoretical models that will fill the vacuum once literary scholars fully assimilate [End Page 202] the news that stubbornly fashionable constructivist and psychoanalytic theories of human potential are obsolete.In Cognitive Science, Literature, and the Arts Hogan presents an accessible introduction to the exploration of the arts from the perspective of cognitive science. As a literary scholar, his main concerns are with literature, written and oral, but his conviction that cognitive science can illuminate all of the arts is clearly indicated in examples from painting, music, and film. The writing is pitched at a level appropriate for the general reader, and no prior reading in cognitive science is assumed. The introductory chapters provide an overview of the broad outlines of theory and research in cognitive science to date, and explain the types of problems the arts raise from the perspective of cognitive science. The middle chapters examine aspects of art making and consumption in light of specific issues that have been important in cognitive study. These chapters focus primarily on artistic creativity, metaphor, literary universals, audience response, and literary emotion. The final chapter considers attempts to explain why human cognitive architecture takes the precise form it does, and includes an extended skeptical critique of the source of the most influential explanations: evolutionary psychology. Hogan's critique of evolutionary psychology is important and I will discuss it at length later in the review.Cognitive Science, Literature, and the Arts will be welcomed by any reader who wants to better understand basic developments in cognitive science and their potential importance to the study of literature and the arts. It is addressed mainly to the uninitiated and is thus suitable for upper-level literary theory and criticism courses. The Mind and its Stories is a more ambitious volume that seeks (1) to clear the way for the reestablishment of a revamped research program in literary universals, (2) to show how literary data bears on important questions in cognitive science and psychology, and (3) to present a specific hypothesis about the proliferation of certain plot structures in world literature.In The Mind and Its Stories Hogan does nothing less than restore the political and intellectual respectability of the study of literary universals. The Mind and Its Stories begins where it must, with a cogent critique of the most common objection to the development of a sustained research program in literary universals: the largely unexamined conviction that the identification of human universals (in literature and other fields) almost necessarily supports doctrines of inequality that justifies one group's domination of others. Hogan exposes the fundamental illogic of this position, which holds essentially that theories of human equality [End Page 203] are too dangerous to entertain because they might serve to prop up... (shrink)

Surrogate (proxy) decision makers must make research decisions for people with dementia who lack decision-making capacity. Proxies’ decision-making processes are minimally understood. We randomly assigned 82 proxies of AD patients to informed consent for one of three hypothetical protocols with differing levels of risk and benefit. Proxies answered questions about potential benefits of the described research to the patient and society, as well as about whether they would enroll their relative and why or why not. Proxies interested in enrolling their (...) relative cited the potential for direct benefit to their relative, altruism, and trust in researchers. Those declining cited risks, inconvenience, and stage of illness. Proxies weighed numerous factors, incorporating both substituted judgment and best interests standards in their decision-making processes. Although further empirical work is needed to understand the influences on and adequacy of proxies’ decision making regarding research, these findings can help inform policy regarding surrogate consent. (shrink)

This study contextualizes Konrad of Megenberg’s “Book of Natural Things” within the natural philosophy practiced by the Faculty of Arts in the 14th century. Albert the Great and texts of ps.-Albert emerge as significant in this interpretation.

Recent studies show that psychiatry residents express a relatively greater need for ethics curricula than their colleagues in other specialties. Such studies have been limited in their generalizability because they were conducted at one site. This study of 151 psychiatry residents at seven U.S. psychiatry programs aims to address that limitation. Residents were surveyed on issues pertaining to ethics and professionalism education. Participants were found to support such curricula during training and to value its relevance to the practice of psychiatry. (...) Gender differences and the influence of the “hidden curriculum” on such results merit further study. (shrink)

The article is intended to reveal important similarities between fiction and sport. I build on Jonathan Gottschall’s discussion in The Storytelling Animal: How Stories Make Us Human by celebrating the significance of stories and their ‘witchy power’ and by examining factors that demonstrate similarities between fiction and sport. I suggest that an unmistakable semantic, structural, and cultural kinship exists between the two. This argument requires a discussion of play theory, play resources and constitutive rules, the semantic power of problems (...) and the uncertainty they produce, and the role of ‘frames’ in bringing problems to life. I conclude by noting the unique frame capabilities of ‘the big game’ and zero-sum dichotomous sporting motifs. (shrink)

En décembre 2007, Jacqueline Hamesse a fêté son 65ème anniversaire, puis a accédé à l’éméritat en 2008. Nombreux sont les collègues et amis qui ont souhaité marquer ces dates en rendant hommage à son dévouement aux études médiévales, que ce soit dans l’enseignement et la recherche ou pour la création et le développement d’institutions internationales dans ce domaine, sans oublier les efforts déployés pour l’édition de nombreux ouvrages collectifs et l’organisation de diverses rencontres scientifiques. Nous avons donc décidé de lui (...) dédier ce volume d’études intitulé «Florilegium mediaevale». L’ouvrage comprend des études concernant l’un des quatre thèmes suivants: les textes philosophiques dans leur contexte et leur support matériel, les instruments travail ainsi que le vocabulaire des textes philosophiques. En effet, ce sont des domaines qui ont surtout retenu son attention depuis de nombreuses années et dans lesquels elle a apporté des contributions significatives à la recherche. Contributions de: L-J. Bataillon (†) et O. Weijers (Paris / Den Haag), F. Bertelloni (Buenos Aires), Ch. Burnett (London), J. Casteigt (Toulouse), J. Celeyrette et J-L. Solère (Lille / Boston), W. Courtenay (Wisconsin-Madison), G. Dahan (Paris), G. Dinkova-Bruun (Toronto), K. Emery Jr. (Notre Dame), Ch. Erismann (Cambridge), B. Faes de Mottoni (Milano), G. Federici Vescovini (Firenze), B. Fernández de la Cuesta (Madrid), R. Friedman et Ch. Schabel (Leuven / Nicosia), D. Gottschall (Lecce), S. Harvey (Jerusalem), I. Heullant-Donat (Reims), R. Hissette (Köln), M. Hoenen (Freiburg i.B.), J. Meirinhos (Porto), O. Merisalo (Jyväskylä), M. Mulchahey (Toronto), M. J. Muñoz Jiménez (Madrid), M. C. Pacheco (Porto), G. Piaia (Padova), R. H. Pich (Porto Alegre), J. Puig Montada (Madrid), R. Ramón Guerrero (Madrid), C. Sirat et M. Geoffroy (Paris), G. Spinosa (Roma), I. Ventura (Louvain-la-Neuve). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Tragic Evolutionary Logic of The IliadBrian BoydThe Rape of Troy: Evolution, Violence, and the World of Homer, by Jonathan Gottschall; xii & 223 pp. Cambridge: Cambridge University Press, 2008, $32.00 paperback.Jonathan Gottschall has conquered the oldest and craggiest peak of Western literature, The Iliad, by a new face. He stakes out the Darwin route to Homer so directly and clearly that he makes the climb inviting (...) and inspiring even to curious newcomers without high-altitude evolutionary training. And the vista he opens up offers us a chance to look in multiple directions: at Homer, at literary evolutionism and its possibilities, and at Gottschall's role in exploring this new route to discovery.One previous monograph has investigated a single literary work from a Darwinian viewpoint: Brett Cooke's analysis of Evgeny Zamyatin's 1921 science-fiction classic, We.1 Cooke's Human Nature in Utopia, by showing how Zamyatin appeals to the evolved nature of readers, in the face of the denial of human nature in his imagined One State and in early Soviet Communism, deepens our natural response to a modern classic. But where Cooke merely succeeds, Gottschall triumphs. The Rape of Troy not only deepens our response to a classic discussed for almost three millennia but also explains the world of Homer in a way no one could have seen without the multi-million-year perspective evolution allows—and does so with conceptual clarity, tight argument, effortless imagery, and copious verbal energy. [End Page 234]Gottschall emphasizes that his "evolutionary anthropology of conflict in Homeric society" does not attempt a Homeric "theory of everything" (pp. 3, 9). There is much of interest in The Iliad he does not touch on, and much even in possible evolutionary approaches to Homer that he does not consider. He focuses intently on a single two-part question: Why is there so much violence in the Iliad, and what effect does it have on how those in Homeric society see their world?After a brilliant introductory overview, he shows in his first two chapters how over the last century Homerists have increasingly turned to comparative anthropology to augment the meagre direct data. They have clarified that the Iliad was long obscured by later Western assumptions about states and kings, and that the poem probably reflects something like Homer's own world, within (at about 800 BCE) the late Greek Dark Age, a pre-state society in many ways closer to Highland New Guinea than to the worlds of Caesar or Charlemagne.Everyone who knows about the Trojan War knows that the Greeks fight Troy because the Trojan prince Paris took Helen from her husband, the Greek lord Menelaus. But readers of the Iliad want to know why thousands of soldiers on both sides persisted through ten years of brutal battle. Surely war on this scale cannot have been over just a woman? Scholars have proposed many explanations of what was really at stake. Immortal honor for men all too aware, day after bloody day, of their own physical mortality? Power? Status? Material goods? Prestige goods? A chance to neutralize enemies?By drawing on evolutionary biology and anthropology, Gottschall can show that this war, like most human violence against other humans, and even like most intraspecies animal violence, stems ultimately from male competition over females. He introduces the powerful and far-reaching principle of differential parental investment developed by Robert Trivers.2 As Gottschall lucidly elaborates: "males will attempt to mate more promiscuously both because sex is cheaper for them, and because they have the potential to produce many offspring with multiple females. I emphasize the words 'attempt' and 'potential' because if every male adopts a relatively promiscuous strategy, and if some males succeed, then other males will not reproduce at all" (p. 44). The far more divergent rates of reproductive success among males than among females prove to be the key determinant. Gottschall sums up: "males typically face higher risks of total reproductive failure and higher hopes of extraordinary reproductive success. This creates strong incentives to compete for mates. Males who are better able to compete for access to [End Page 235] scarce female reproductive capacity, in whatever form... (shrink)

Recent Anglophone scholarship has successfully shown that Nietzsche's thought makes important contributions to a wide range of contemporary philosophical debates. In so doing, however, scholarship has lost sight of another important feature of Nietzsche's project, namely his desire to challenge the very conception of philosophy that has been used to assess his merits as a philosopher. In other words, contemporary scholarship has overlooked Nietzsche's contributions to metaphilosophy, i.e. debates around the nature, methods, and aims of philosophy. This important new collection (...) of essays brings together an international group of distinguished scholars to explore and discuss these contributions and debates. It will appeal to anyone interested in metaphilosophy, Nietzsche studies, German studies, or intellectual history. (shrink)

This book examines Augustine's description of the actually existing world, especially that aspect most important for the human pursuit of happiness: the human being and God. It begins with an overview of the characteristics of the human individual and the context in which they must live out their lives, a context dominated by two seemingly contradictory realities: the existence of God and the existence of evil.

Papers delivered at the joint meeting of the Hegel Society of America and the Hegel Society of Great Britain held at Merton College, Oxford, Sept. 1-4, 1981, to mark the 150th anniversary of Hegel's death. Includes bibliographical references and index.

The starting point of my study is Kant’s remark to the effect that Garve in his treatise on the connection between morality and politics presents arguments in defence of unjust principles. Recognition of these principles is, according to Kant, an inadvisable concession to those who are inclined to abuse it. I interpret this judgement by making a detailed comparison of the texts of the two treatises. I demonstrate that Garve’s work is an eclectic attempt to combine in one concept the (...) lessons of historical experience with the ideas drawn from British empiricism and German rationalism. These ideas were criticised by Kant in his “critical” period. There is a consensus among researchers that Garve condoned the expansionist policy of Frederick II of Prussia, totally denied that legality in international relations was possible and in general deserved the reputation of an conservative. From that point of view the key values for Garve were the security and well-being of the state. I offer an alternative interpretation of Garve’s position because I believe that the value of political stability plays an important role in it. Such an interpretation makes it possible to treat Garve’s narrative as it was assessed by Kant, i.e. as a concession to the common principles of political practice as a result of a failure to find the guiding theory. My study has established that the role of Garve’s work in the writing of Kant’s treatise Toward Perpetual Peace was more significant than Kant’s own words suggest. Besides, I show that it was under Garve’s influence that Kant turned to the problem of excessive complexity of the principles involved in the search for concrete political decisions. Garve obviously laments this complexity and yet makes these principles still more complex. Kant offers a simpler solution of the problem on the basis of his theory of morals and right. (shrink)

Comprehensive analysis of fundaentals of Sankhya philosophy with reference to Vedic literature and Śaṅkarācārya.

Работа предназначена для ученых и специалистов, преподавателей, аспирантов, слушателей, студентов, а также всех интересующихся рассматриваемой темой.